Category / Programme / Friday 15th February / Programme
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Scenic arts across borders – China, Russia and Norway
The performance of Made in Macau 2.0 is followed by a conversation between the performers from Rolling Puppet Alternative Theatre, Evgeny Goman (Theater director from Murmansk) and Inger Buresund (Theater manager with extensive experience with cultural development with China). The conversation, moderated by Bente Andersen (director of Samovar theatre and performance maker), looks at the… -
Rolling Puppet Alternative Theatre:
Made in Macau 2.0Made in Macau 2.0 revives intimate family memories and confronts the present reality of living in Macau, a former Portuguese colony and cultural hybrid that was the last mainland colony to be returned to China. Using puppetry and objects, the performance is both a serious and comical reflection of Macau’s enormous social and economic transformations,… -
Alessandro Rolandi
Social Sensibility R&D DepartmentSocial Sensibility R&D Department is an artist collective based in Beijing and Paris. It addresses fundamental questions about the nature of art-making and place of the artist in the contemporary socio-political context. For “The Worlds Northernmost Chinatown”, Ronaldi presents three video works that represents the collective’s work and practice. In one video-piece, worker and performance… -
Transborder Cafe:
You’re all gonna be richThe Chinese dream of a firm foothold in the Arctic runs across the border town in the northeast of Norway. A railway between Kirkenes and Rovaniemi in Finland will secure the mainland connection between the Arctic Ocean and the Chinese market. A deep-water port in Kirkenes can make it the first western port along the…
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